World-renowned comedienne and actress Loretta Mary Aiken,
known as ‘Retta’ to her family, was born in Brevard on March 19, 1897.
Unfortunately, many of her biographical details are conflicting, fictional, or
simply unavailable, which makes her life story unclear at points. Nonetheless,
the information that is available is quite remarkable.
|Loretta Mary Aiken, known as Jackie “Moms” Mabley|
Born to Mary Smith and
Jim Aiken, Loretta came from a large family of mixed African American, Cherokee
and Irish ancestry. Her father was a prominent Brevard businessman and volunteer
fireman. He was tragically killed in an explosion when his vehicle overturned
during a fire call in 1909. Loretta’s mother also died a horrible, violent death
in 1946— she was run over by a mail truck on New Year’s Eve.
suffered traumatic physical abuse. She was raped at age 11 by an elderly black
man, and then again at age 13 by a white law enforcement official. She became
pregnant both times, and had two babies, the first in Brevard and the second
-according to an interview with Loretta- in Baltimore. Both children were placed
in the care of women who disappeared with them. Sadly, she was not reunited with
these two children until they were adults. Later in life, Loretta had three
daughters and adopted a son: Bonnie, Christine, Yvonne, and Charles.
advice and encouragement of her grandmother, Jane Aiken Hall*, who said: “you’re
gonna see the world like your granny never did,” Loretta left Brevard for
Asheville as a young teenager while pregnant with her second child. It was at
this time that Loretta claims that God, in a vision, told her to “Go onto the
stage,” whereupon she joined black vaudeville performers and began performing in
the Chitlin ’Circuit. Not long after, in order to appease her eldest brother who
felt that her involvement in show business as a female disgraced the family
name, Loretta adopted the stage name ‘Jackie Mabley.’ Incidentally, Jack Mabley
was a Canadian comic to whom she had been engaged. He was one of the few men
close to Loretta at that point in her life.
In her twenties, inspired by her
love and admiration for her grandmother, and largely as a form of
self-protection, Loretta began developing the comic character of a bawdy,
young-man-chasing, old-man-hating granny who wore funny hats, frumpy
housedresses, droopy stockings and ill-fitting shoes. “I had in mind a woman
about 60 or 65, even when I first came up,” she told Mark Jacobson in an
interview for New York(October 14, 1974). “She’s a good woman, with an eye for
shady dealings. She was like my granny, the most beautiful woman I ever knew.”
The risqué elderly lady persona that Loretta impersonated as Jackie Mabley,
inspired by her grandmother and named after her ex-fiancé, allowed her to get
away with saying things that male counterparts of her day would not have been
able to. She used Jackie Mabley’s silly and unattractive image to mock males and
discuss taboo topics such as ageism, sexuality, gender stereotypes and, more
specifically, the marginalization and exploitation of black women.
“Picturing the Past” will recount Loretta Mary Aiken’s rise to international
stardom as Jackie “Moms” Mabley. *In her performances, Loretta often called her
granny, Harriet Smith (the name of her maternal grandmother) but it is believed
that the grandmother she actually imitated and was inspired by was Jane Aiken
Hall, her paternal grandmother.
Photographs and information for this column are
provided by the Rowell Bosse North Carolina Room, Transylvania County Library. This article was written by Anne-Monique Ransdell. For more information, comments, or suggestions contact NC Room staff at
[email protected] 828-884-1820.