SILAS HOUSE + PAISLEY REKDAL: Looking Glass Rock Writers’ Conference Public Readings
May 21 @ 7:00 pm - 8:00 pm
Join us for this virtual event! Looking Glass Rock Writers’ Conference faculty, Silas House and Paisley Rekdal, will give public readings on May 21 at 7:00PM. Register online here. You do not need a camera or microphone to participate.
Silas House is the nationally bestselling author of six novels–Clay’s Quilt, 2001; A Parchment of Leaves, 2003; The Coal Tattoo, 2005; Eli the Good, 2009; and Same Sun Here (co-authored with Neela Vaswani) 2012, and Southernmost (June 2018)–as well as a book of creative nonfiction–Something’s Rising, co-authored with Jason Howard, 2009; and three plays: The Hurting Part (2005), This Is My Heart for You (2012), and In These Fields, with Sam Gleaves, 2016.
His work frequently appears in The New York Times and Salon. He is former commentator for NPR’s “All Things Considered”. His writing has appeared recently in Time, The Atlantic, Ecotone, The Advocate, Garden and Gun, and Oxford American, as well as in anthologies such as Best Food Writing, 2015 and New Stories From the South, The Year’s Best: 2004. House serves on the fiction faculty at the Spalding School of Creative Writing and as the NEH Chair at Berea College.
He is a member of the Fellowship of Southern Writers, the recipient of three honorary doctorates, and is the winner of the Nautilus Award, an EB White Award, the Appalachian Book of the Year, the Storylines Prize from the New York Public Library/NAV Foundation, the Lee Smith Award, and many other honors. Southernmost was a longest finalist for the Carnegie Medal for Excellence in Fiction and appeared on several the Best of 2018 lists of The Advocate, Booklist, Paste, Southern Living, Garden and Gun, and others. The book was also awarded the Weatherford Award as well as the Judy Gaines Young Award.
Paisley Rekdal is the author of a book of essays, The Night My Mother Met Bruce Lee; the hybrid photo-text memoir, Intimate; and five books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; and Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award. Her newest work of nonfiction is a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. A new collection of poems, Nightingale, which re-writes many of the myths in Ovid’s The Metamorphoses, was published spring 2019. Appropriate: A Provocation, which examines cultural appropriation, is forthcoming from W.W. Norton in Feb. 2021. She is the guest editor for Best American Poetry 2020.
Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative’s Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others.
She is a Distinguished Professor at the University of Utah, where she is also the creator and editor of the community web projects Mapping Literary Utah and Mapping Salt Lake City. In May 2017, she was named Utah’s Poet Laureate and received a 2019 Academy of American Poets’ Poets Laureate Fellowship.